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    • Robert also wrote the following: "in dramatic writing, the very essence is character change.  The character at the end is not the same as he was at the beginning." Ouch!  This is easy to do in a generational epic like Coleen McCullough's The Thorn Birds, but how the heck was Ian Fleming supposed to pull this off in Doctor No, which has a time in story of only four days?   My answer?  You have to cheat.  You can't do it in a story with a single narrative point of view, nor in a binary setting (protagonist/antagonist) unless you lengthen the time line.  A conspicuous example of how this can work is John Fowles' The Collector.  But for those of us who write in a compressed time frame (only 13 days separate scenes 2 and 54 in Homage), a good tactic is having lots of characters, and giving many of them narrative point of view.  You pitch characters against one another in different settings not to show character change, but to reveal different features of human complexity.  So, right now Sarah looks like she would outclass Blofeld in the villainy department, but what drives her?  Perhaps she truly is the Nightmare Nurse, but then again, she may have demons eating at her in the same way that we now see how they have eaten at Vickie since childhood.  Time will tell-- and the big reveal lies but a few scenes ahead.
    • Hi, I've been looking for a story for a little while now, at this point I just need to know if it exists at all. Sadly my memories of it are a little vague. But here's what I remember: I beleive I read this story a few times over the years I think the last time I read it was around 2020-21 but I think it's been around fro much longer possibly since the early 2010's, although I most likely read it on https://www.dailydiapers.com/content/stories.html. however I haven't been able to find it on there. The next most likely places are, this forum and the currently unavailable ABDL story forum. I have very vague memories of both the name of the story and the name of the author, I beleive the name of the story contained the name of the female protagonist, and that the authors name also contained a female name. I know this doesn't narrow things down much but I hope it helps a little. What I do remember is that there were only a handfull of chapters and overall the story was quite short. I also think it was unfinished or implied further chapters in it's ending. In terms of plot, What I remember is it involved a Highschool age or older girl taking a babysitter job from one of their neighbours, specifically the mom. There are at least 2 kids, possibly 3. At least one is a toddler in diapers, and one is a little older in pullups. The protag finds themselves curious about diapers and ends up taking them. The neighbour mom notices and confronts them at some point, offering to treat the protag like a baby for a few days. Unfortunately that's all I can really remember, and I hope I'm not mixing a few stories up in my head. I hope this is enough to jog someones memory. Maybe i've just been missing it because one of the details is wrong. But I appreciate any help and I'll try to give any more details you might need if I can remember them. Thanks to any and all who help.  
    • Just remember we talk funny on this side of the pond.
    • Thank you for this comment.  I always look forward to your comments, along with CDfm, Kerry, and CC April.  You are the trip wires for my stories.  Robert Towne, who is little known outside of the film industry but deeply respected within, has a line near the beginning of Mission Impossible 2: "every search for a hero must begin with something which every hero requires-- a villain."  Viewed within the sorority setting, Tippi is the proverbial piece of work.  But how different she appears when we sit her down opposite Sarah.  Later, in a scene with Candy, we shall see that Tippi is altogether human.  I use this trick a lot; in this part of the story with Vickie and Suzie, and throughout the story, with Ian.  It addresses the structural hurdle that very little fiction ever tackles, which leads to a second of Robert's observations.  See below. 
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